Jenna Rainey

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I’m Jenna Rainey. 

I'm an artist, self-taught designer, and multi-faceted creative entrepreneur who is hell-bent on teaching everyone how to find their inner creative voice.

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A highly creative nerd with a unique breed of humor and the proud earner of a self-bestowed award for being the world’s most curious and driven human.

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Close-up of pink watercolor flowers with a red Princeton brush resting on the paper.

5 Common Watercolor Flower Mistakes (and How to Fix Them!)

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6/27/2025

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Jenna 

Let me start with this: watercolor flowers are deceptively tricky. They look soft and effortless when finished, but getting there? That’s where things can fall apart. (And I say that with love. I’ve made just about every mistake in the book.)

If you’ve ever looked at your floral piece and thought, Why does this look flat? or Ugh, how did my colors get so muddy again?—you’re not alone. In fact, these are the exact things I hear from students all the time.

So today, I want to walk you through the most common watercolor flower mistakes I see (and have made myself), along with practical tips for fixing them. Because most of the time, it’s not about starting over—it’s about knowing what to look for.

Let’s dive in.

Watercolor palette and brush in hand, painting vibrant pink, yellow, and blue flowers on paper.

Why Watercolor Flowers Can Be Tricky

Here’s the thing about watercolor: it’s a living medium. It moves, it bleeds, it blends in ways you can’t always predict. That’s part of what makes it beautiful—but also why it can feel frustrating.

With florals, that unpredictability meets detail work. You need flow and looseness, but also structure and form. And that balance? It takes practice.

Understanding watercolor flower mistakes and how to fix them will help you skip a lot of the second-guessing and get back to what you actually want to be doing: painting flowers you love. 

Here are some common watercolor flower mistakes:

Mistake #1: Overworking the Petals

You know the moment. You’ve painted a petal, but something feels off—so you go back in to fix it. And then again. And again. Before you know it, the color is uneven, the paper is pilled, and the whole thing looks overworked.

This is so common, especially when you're just starting out. But one of the best things about watercolor is its transparency—and that gets lost when we fuss too much.

How to fix it:

Try to nail your petal in one to two passes. Lay down your shape with enough water and pigment, then walk away. Let it dry completely before making any changes. If you’re unsure about your shape or color, test it on scrap paper first. Trust the first stroke more than you think you should.

Hand holding sketchbook near watercolor brushes and floral paintings on a studio table.

Mistake #2: Colors Turning Muddy

This one’s a heartbreaker. You pick your favorite pink and yellow… and somehow end up with a sad brown blob in the middle of your flower.

Muddy colors happen when wet layers mix in ways that cancel each other out—often because you’re mixing too many pigments, painting too wet, or layering before the first layer has dried.

How to fix it:

Limit your palette. (I often use just 2–3 colors per flower to keep things fresh and harmonious.) Let each layer dry before adding more. And avoid overmixing on the palette—let some of that blending happen on the page for more natural, glowy color shifts.

Want more tips on color? My blog on loose vs. detailed watercolor flowers breaks down when to blend, when to layer, and how to keep colors crisp without losing movement. Check it out!

Mistake #3: Flat, Lifeless Flowers

If your flowers look like they’re stuck to the page (instead of blooming off of it), chances are your values are too even. In other words, the darks and lights are too similar, so your petals don’t have enough depth.

This is one of the most overlooked watercolor flower mistakes because it’s not always obvious until you compare your work to a reference or a more dynamic piece.

How to fix it:

Add more value contrast. This doesn’t mean making everything darker—it means choosing a focal point (like the center of the flower or the base of a petal) and darkening that area to create depth. Let your lights breathe, and use your darks to anchor the form.

Woman in green suit poses in a warm, art-filled studio with paints and brushes on the table.

Mistake #4: Outlining Too Harshly

I know it’s tempting to define each petal with a line. But harsh outlines (especially with dark colors or a heavy hand) can flatten your flowers and make them feel cartoonish.

Unless you’re intentionally going for a graphic or stylized look, try softening those edges.

How to fix it:

Use wet-on-wet techniques to suggest petal shapes instead of defining them outright. When you do use lines, keep them light and soft—almost like shadows. A fine-tip brush with diluted paint works beautifully here. Let the water do the blending work.

Mistake #5: Ignoring the Composition

Even if your flowers are painted beautifully, a poor layout can make the whole piece feel off. Composition is more than just “where things go”—it’s how your viewer’s eye moves through the painting. And this is one of the most common watercolor flower mistakes I see, even in advanced painters.

How to fix it:

Before you paint, sketch out a few small thumbnail layouts. Think about variety in shape, size, and spacing. Let some flowers overlap. Leave breathing room (white space is your friend). And if you're painting a bouquet, make sure there’s a flow to the arrangement—not just a clump of blooms.

Want to dig deeper into how to build strong, balanced floral paintings? Check out this post on 5 principles of watercolor flowers—it’s packed with tips for layout, balance, and rhythm that’ll make your next piece stronger.

Still Struggling With Watercolor Florals?

Sometimes, it’s not about knowing what you’re doing wrong—it’s about watching how to do it right. If you’re more of a visual learner (like me), I’ve got a full YouTube playlist of floral watercolor tutorials you can dive into. There are over 70 videos waiting for you, covering everything from loose florals to detailed arrangements, color mixing, and more.

Watch the playlist, try a few techniques, and see which ones click. (And remember, it’s okay to hit pause and come back later—this is your journey.)

If you’re just getting started, it’s easy to feel overwhelmed. But learning watercolor flowers doesn’t have to be complicated. My beginner’s guide to watercolor flowers walks you through all the basics—from tools and materials to first brushstrokes and simple blooms. It’s a great place to begin or come back to if you’re feeling stuck.

Ready to Go Deeper?

If you’re loving florals and want to build your skills step-by-step, my book Everyday Watercolor Flowers is packed with lessons and projects designed to help you master watercolor florals. You’ll learn how to build compositions, create depth, choose color palettes, and develop your own floral style—without the pressure of being “perfect.”

It’s the book I wish I had when I started. Whether you're a total beginner or looking to grow your confidence, it’s here to guide you through.

Final Thoughts on Watercolor Flower Mistakes

The truth is, making mistakes is how we grow. And most of the time, those frustrating moments in your painting process are just signals. They're not saying “you’re not good at this”—they’re saying, “hey, pay attention here.”

So the next time you spot one of these watercolor flower mistakes, don’t beat yourself up. Use it. Learn from it. Try again—with more clarity and less pressure.

Because that’s what watercolor is all about: letting go, showing up, and watching something beautiful unfold—even if it starts a little messy.

by Jenna Rainey 

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